NO DATE, NO SIGNATURE
(Bedoune Tarikh, Bedoune Emza)


A film by
Vahid Jalilvand


Color, 2K, 16:9,1:1/85, 5:1, 24 fps, 104 min, 2017, Iran


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SYNOPSIS


The forensic pathologist Dr Nariman has a car accident with a motorcyclist and injures his 8-year-old son. He offers to take the child to a clinic nearby, but the father refuses his help and money. Few days after, in the hospital where he works, Dr Nariman finds out that the little boy has been brought for an autopsy after a suspicious death.
Dr Nariman is facing a dilemma: is he responsible for the child’s death due to the car accident or the child died of food poisoning according to other doctors' diagnosis?


synopys-Cannes

Vahid Jalilvand
(Director)


Vahid Jalilvand was born in Tehran in 1976. He is a graduate of Tehran University in Theater Directing. Jalilvand started his career as a theater actor and made his stage debut when he was only 15. In 1996, he started working in the Iranian State TV channels as an editor and then as a TV director. Later, he directed two home video series and more than 30 documentaries in social and industrial fields. He has been the director and actor in many television series and plays. “Wednesday, May 9”, his first feature was selected in Venice Film Festival 2015 / Orizzonti where he received the FIPRESCI award.
“No Date, No Signature” is his second feature.


FILMOGRAPHY


2017 No Date, No Signature Feature
2015 Wednesday, May 9 Feature
2013 12 documentaries from 1998 to 2013 Documentary
2011 A Frozen Heart TV & Home-Video Series
2008 A Different Type, Though TV & Home-Video Series
2008 40 Minutes Without Judgment TV & Home-Video Series
2007 The Star is Out…Say Hello TV & Home-Video Series
2007 Rain In A Different Version TV & Home-Video Series
2006 The Footprint of Rain TV & Home-Video Series
2005 An Eye Made of Love TV & Home-Video Series

DIRECTOR’S NOTE


I read a quote from Rolf Dobelli somewhere, “Those who were bold and brave were killed before they could transfer their gene to the next generations. The rest, that is the coward and the considerate, survived. We are their progenies.”
We have made weird images of the cowards in our mind, but they are in fact exactly like us. Perhaps they are even the reprint of our behaviour; the cruel behaviour that we have justified in the name of wisdom. How many times so far our fear and inability to express the simple truth has triggered a big calamity in others’ life?
I don't know what I would do if I was in place of the protagonist doctor, but I remember vividly much simpler moments when I lost to my fears and doubts wisely.
This film might be an elegy on the grave of a man once I dreamt to be.

Vahid Jalilvand